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Posts Tagged ‘Colmar Construction’

Around the Workshop – Best of 2016

Sunday, January 8th, 2017

I’ve been struggling to find time to write the blog recently, a reflection of just how busy 2016 has been. It has been an amazing year now I look back on it; in terms of the amount of work, the size and ambition of the projects undertaken but also just the sheer breadth of what we’ve done.

This time last year we were just finishing off work on two museum projects; one being some stools for the newly refurbished V&A Europe 1600-1815 galleries learning area, the other being furniture for the Watts Gallery in Surrey. On both of these projects we worked in close collaboration with ZMMA Architects, a dynamic London practice we have strong connections with. You can in more depth about these museum projects on the blog by clicking here.

And it’s very much that collaborative theme that continued through the year…

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Highly challenging museum work with ZMMA Architects for the Watts Gallery (right) and the V&A Museum (left).

As the museum projects came to an end we were just gearing up for our first big project of 2016, the interior of a large contemporary CLT (cross laminated timber) built house on the North Norfolk coast called Bliss Blakeney. It’s not our normal stomping ground but the project and the clients meant it wasn’t one we wanted to miss out on, besides getting to know a new part of the world is an added bonus. We were asked to design the entrance hall and stair areas, kitchen, living / snug area, bar, library, bedrooms and dressing rooms. The first half of the year was very much focused on the Bliss project, we ended up completing the abstract stair panelling, the very funky kitchen, the snug and the library areas before drawing a line under it. The next elements are due in 2017, so hopefully this time next year there will be more images to see.

What I loved about this project is it was the clients who were pushing us for more radical design solutions, they are not scared of risk taking or bold design. That’s always a thrill for a designer when it happens and inevitably leads to new and exciting work – I see Bliss as very much a joint project between us and very creatively minded clients. Not sure what I’d pull out as a favourite piece or element of the Bliss project – the kitchen island perhaps? I also love the sideboard / media cabinet in the black sycamore wall panels of the snug, and the stair wall panels in fumed oak / pink ripple sycamore and intense blue, and the library and….

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Bliss Blakeney on the North Norfolk Coast, full of colour and creativity and came to define the first half of 2016.

We still need to get the space properly photographed, but even from our site snaps you can see this is a bit special. Despite being a long way away the site fitting was always a pleasure because we could get put up in the luxury ‘Cabin’, a four bed self contained wing of Bliss where the team could chill out after a long day’s work. The local pubs were great and so was landscape of North Norfolk coastline. It’s not often we do describe the fitting part of a project as a ‘pleasure’, but this was certainly true of the Bliss Blakeney project.

For more about Bliss and staying at the stunning Cabin yourself click here…

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The daily breakfast meeting discussing theĀ fitting day ahead in the ‘Cabin’ at Bliss Blakeney.

The other big news of 2016 was our collaboration with Sitting Spiritually, the garden furniture and swing seat makers from Lyme Regis. Late in 2015 they approached us to design a new contemporary swing seat for them. They had seen the work we had done on the Tudor Arcade Public Seating project and our prototype ‘Floating Benches’ with scorched and natural oak and wanted to harness that look in a new swing seat. Out of this came the ‘Yakisugi’ swing seat in 2,3 and 4 seat versions. We also licenced the Floating Bench to Sitting Spiritually and developed one and two seater versions as well as the original generous 3 seat bench. This became the ‘Simon Thomas Pirie Contemporary Range’, sold exclusively through Sitting Spiritually, but designed and made by us.

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We don’t have a high profile in the garden furniture world, but Sitting Spiritually do and they take a stand at the prestigious RHS Chelsea Flower Show every year. It’s the build up to that where the Yakisugi Swing Seat but especially the Floating Bench got huge attention – getting shortlisted for RHS Chelsea Garden Product of the Year. Images ended up in every paper and supplement imaginable. Post Chelsea it was a key feature in two RHS Gold Medal award winning gardens at Hampton Court and Tatton Park, with plenty of BBC TV coverage to boot. It’s nice seeing other garden furniture suppliers trying to play catch up – the scorched and natural oak combination was definitely the hot theme of 2016!

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I don’t think I’ve ever designed something that has ever got quite so much attention in a short space of time. The middle of the year saw us making healthy batches of the swing seats and Floating Benches and we are already discussing what’s going to be on the RHS Chelsea Sitting Spiritually stand for 2017. Sworn to secrecy though!

A little film to celebrate the Sitting Spiritually / STP Collaboration in 2016.

For more about the Simon Thomas Pirie Contemporary Range which is sold exclusively through Sitting Spiritually visit the Sitting Spiritually website.

On the collaboration theme we continue to build relationships with interior design practices, high-end developers and architects. They come to us for our very bespoke skill set and the fact we can help them elevate their concepts into something real and exquisite. One such project was with Jigsaw Interior Architecture and AMD Developments in a new property by the river in Christchurch. This stunning contemporary build utilised a very calming neutral interior palette which is both elegant and subtle. We were asked by Jigsaw to work on the staircase liaising with the metal fabricators to produce the timber stair treads and landing elements as well as a couple of large room divide / display storage shelves. These were made in a birch ply and a black face veneer. They look simple but were much more tricky to make then they initially appear. One of these had a large siding end grain panel on industrial castors that covers half of the display space.

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The living and dining space shelving in ply and black tulip wood at Wick Lane – Scheme by Jigsaw Interior Architecture.

There is more detail and more images of this project on the blog – click here.

We are working on other schemes with Jigsaw, as well as with other interior design and architectural practices on some very exciting varied projects for 2017/18. Three years ago we decided to pursue more of this kind of work (as well as our own generated furniture, kitchen and interior commissions) and it has certainly paid off, giving us a much longer project horizon. It means we have have stuff penciled into the schedule 18 to 36 months ahead and properly firmed up for up to 18 months. From a business perspective it just means we can plan ahead and feel secure.

If the first half of the year was shaped by the Bliss project, the second half would be equally dominated by another project with a snappy one word name: ‘ACE‘ is a new apartment block on the desirable stretch of coastline at Sandbanks, Poole. We were only involved in the Penthouse flat, which has views over Poole harbour to one side and the open ocean, with panoramic views from the Isle of Wight to Old Harry Rocks on the other. We were invited to tender for all the fitted furniture elements except the kitchen on this by Woadden Nash Interiors in conjunction with Westcoast Developments. The building was being built by Colmar Construction who we had worked with very successfully on the ‘Fire & Water’ kitchen in 2015.

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We have known the team at Woadden Nash for some time and had come close to working with them on a couple of projects before, so it was lovely to finally secure something this big. The finishes are rich and opulent throughout the scheme, with lots of use of Italian coloured Tabu veneers on the furniture as well as a very dark brown sprayed oak throughout as a constant repeating theme on the furniture and internal joinery.

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Images of work during fitting at ACE Sandbanks, the project that has defined the second half of 2016.

We worked intensively with the Woadden Nash, Westcoast and Colmar team on developing very narrow 35mm skirtings, picture rails and decorative door linings throughout the apartment and these were the first elements to be fitted. The furniture consisted of all the wardrobes and dressing rooms in the 4 bedrooms, dressing tables, master en suite bathroom cabinetry, master bedroom furniture and panelling, shelving and TV cabinet for the living area, as well as the shelving for the night lounge / study. Last but not least is the two sided bar cabinet which stands in the centre of the room – my favourite piece on the project.

Still to get professional shots of the ACE and Bliss Interiors but i’m hoping the portfolio book and websites will be bulging with lots of exciting images and full length case studies very soon.

For all this talk of big projects and doing complete interiors we do still love making small individual pieces of furniture, it is after all at the very core of what we are as makers and designers. When you are working on projects that take months to design, months to make and almost as long to fit then snag, it’s rather refreshing to see smaller commissions designed, made and delivered in weeks. It’s important for us to get a nice mix of projects, so I’m as happy designing a small side table as I am a kitchen or library. We’ve had a few furniture pieces that have stood out this year and perhaps some images can say more than words here.

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Top left – ‘Perch’ chairs in elm as ruby wedding present to match existing STP table and benches. Top right – Stunning olive ash and fumed oak dining table – chairs to come! Bottom – Media sideboard in oak with scollop detail panels.

Next years projects are already beginning to take shape in the workshop. We are currently working on a beautiful study, which is the first element of a major new build near Beaulieu in the New Forest. We also have two large kitchens and interior projects lined up for the spring / summer, a classic 1920’s modernist interior in Hampstead, the next stage of the Bliss work in Norfolk, 60 Officers Mess chairs for a Guards regiment, a church alter and lots more we are in discussion about. 2017 looks like it could be even more exciting than 2016!

The Best of 2014

Sunday, December 21st, 2014

I tend to use the twitter and facebook feeds for our general workshop updates these days rather than writing on the blog, but I though it would be nice to do a ‘best of 2014’scrapbook with some of my favorite images / projects from the year.

It was pretty well on the last working day of 2013 that we had confirmation of two big projects – the elm and walnut kitchen and the Makers’ Eye / St Hugh’s College Oxford furniture. These two projects have dominated 2014 and taken up most of our workshop time. In a sense they bookend the year and bring us right up to date…

The Makers’Eye St Hugh’s College job had taken months to organise and prepare for and although we only had confirmation a couple of days before Christmas we were also ready to take delivery of our first lorry load of oak before the break, so we could hit the ground running in January. The timing was always going to be very tight to meet the delivery schedule so we took two new members of staff on from January, Dale and Harry. Although I’d had a strong hand in designing all the furniture for the new Dickson Poon China Centre at St Hugh’s (co-designing with Tony Portus of Makers’ Eye), we took on the signature pieces – the two drawer desk and folding study tables, 75 pieces in all to be finished by early March. Needless to say we went like the clappers but by about half way through we were confident we would be on time and on budget. It was the largest job we had taken on and we were pleased to see our hunch come true that large scale batch production really does make the time tumble – it had to because the budget for this solid oak furniture was tight.

Our biggest challenge on this project was transport and storage – we thought the workshop was large until we started stacking the desks and tables in the office. By the time we had completed 25 we were full to the brim. As it happened the building was running late so all the desks & tables went into storage off site. By early March all 75 pieces were away, as were the pieces being made in the 3 other Makers’ Eye workshops connected with the project. This is not quite the end of the story of the St Hugh’s project, but more on that later…

We have fitted plenty of other smaller furniture commissions around the bigger projects. There are a couple that stand out: We have been working with Simon Gudgeon of Sculpture by the Lakes a lot over the last few years and built some pretty interesting plinths and stands for his work. Among them was a walnut and silver plinth for one of his ‘Isis’ bronzes. It’s a combination of materials, techniques and forms that ended up being particularly pleasing.

Perhaps the commission that stands out is the 2.0m diameter English walnut dining table with a ‘lazy susan’ centre. This was such an elegant looking table, perhaps even more so when you could see the elegant structure of the skeletal framework made of laminated strips, it had the look of a growing tree. We also made our first large set of ‘Gabriel’ chairs to go with the table which complimented it perfectly. Even the tree was special, a very beautiful Walnut from the Hampshire Dorset border through my old friend George Morgan. The client has ordered other furniture and used up the whole of this rather special log.

We were lucky enough to be able to use this dining set as the the centre piece for our Dorset Art Weeks open studio show in May / June and it certainly won many admirers. We also made a prototype in American walnut which sold almost immediately, it was almost as beautiful as the English walnut version! As soon as the show was over it was time to get stuck into our next big challenge – the biggest and most complex kitchen we have taken on to date.

Our client has bought the house in Branksome Wood, Poole which is being built by Colmar Construction. They are a company who seem to be building the biggest and most flamboyant properties around East Dorset, although this one is hardly small it is fairly understated.

I pushed the boat out on this coming up with a design that incorporated two islands called ‘fire’ and ‘water’, one focused on the cooking and the hob, hence ‘fire’, the other based around all the wet services – sinks, dishwasher, boiling water taps etc. Brilliantly, I called this one ‘water’! I also used the only clear wall to create a very idiosyncratic collection of units that includes an ‘L’ shape bank of Miele ‘Havana brown’ ovens – 5 in all, plus machine coffee machine, a big drum walk-in larder and Gaggeneau integrated fridge, freezer and wine fridge as well as lots of storage.

We also designed some more ‘furniture’ like pieces – a tapered, curved-fronted corner cabinet with pivot drawer, a large display / drinks cabinet with yet another fridge within and a round dining table with another set of ‘Gabriel’ chairs. These were in the two timber combination of elm and black walnut which runs throughout the whole of the kitchen cabinetry. There are a number of ‘feature’ pieces – the drum larder cabinet, the centre sideboard section of the ‘water’ island and the curved fronted drinks / display cabinet that have a really stunning burr elm on. These pieces create focal points around the room, effectively using the burr as a contrasting texture to the other horizontally laid timber.

For all sorts of reasons out of our control the site is running very late. Originally we were meant to be finished by late August. Actually although we have basically fitted it now we won’t be going in to do final snags until well into the New Year. You can see a time-lapse video we took of the two week fit here. There will also be a more lavish feature length video that follows the project from start to finish out in Spring 2015.

I mentioned this and the Makers’ Eye / St Hugh’s project effectively bookending our 2014 year. The kitchen because it has just taken that long between long periods of inactivity, but what about St Hugh’s, after all that was finished back in March!?

Well, Tony Portus had entered it into the ‘Wood Awards 2014’, a kind of Oscars of the wood world. Prizes for the best use of timber across the fields of furniture and architecture slug it out for these nationally respected gongs and – we got shortlisted! At the end of November we all went up to the Carpenters Hall in London for the awards ceremony only to win the ‘Bespoke Furniture’ category. It was a massive high and a real credit to a truly collaborative effort between Makers’ Eye, Us and 3 other bespoke furniture workshops. To read more about the project click here.

But that wasn’t quite it for 2014 yet. We still had a few really nice furniture commissions to deliver, in fact during December we have completed two lovely dining sets, a sycamore display cabinet and a set of oak library shelves.

As for 2015, well it’s looking exciting. We are working on proposals for at least 3 big kitchens, museum furniture, fine architectural models, and even furniture for one of England’s great Cathedrals. January sees us straight back into making a new walnut version of the St Hugh’s desk for Maker’s Eye, a very large ash and elm dining set bound for London, and 30 of our ‘Gabriel’ chairs. So 2015 starts as 2014 ends, busy!

Saying that, we are never so busy that we can’t fit an extra job in for you, so why not have a browse through the portfolio pages for some inspiration…