Twitter Linkedin Facebook Pinterest Newsletter

Shows and Exhibitions 2017

March 22nd, 2017

As I write this, I am seated at my desk in our so-called office and showroom surrounded by towering piles of kitchen appliances, chunks of solid kitchen cabinets and units and sections of study shelving. A narrow path leads to my chair and looking back along it I can glimpse a sliver of the outside through the glass doors. You are always welcome to visit our ‘showroom’ but just at present, even a pre-emptive telephone call won’t help you to actually see anything – you can barely step inside, never mind make out the shapes, shrouded as they are in protective grey blankets!

All is not lost however as there are several opportunities for you to see our work at various different venues this year:

3rd – 6th May 2017 – ‘Inspired’ British Festival of Silver, The Goldsmiths’ Centre, 42 Britton Street, London EC1M 5AD

Inspired 2015
This is the 3rd time we have exhibited in this prestigious show. Part of London Craft Week, ‘Inspired’ presents the work of the very best of British silversmiths, including our friend, Karina Gill, displayed in and on furniture by the country’s leading furniture makers. This year we will be showing a contrasting pair of our drinks cabinets: one in English walnut with burr American black walnut doors, the other in sycamore with burr ash doors. The show is open Wednesday – Friday 10am – 5pm and Saturday 10am – 4pm. More details available here.

23rd – 27th May 2017 – RHS Chelsea Flower Show London Gate, Royal Hospital Road, Royal Hospital Chelsea, London SW3 4SR

Chelsea SS Stand
Following the success of the launch of our collaboration with Sitting Spiritually Ltd at RHS Chelsea Flower Show last year, Floating Bench will be returning in a slightly different guise. This year, you will be able to see two new versions of the Floating Bench: Blonde and Noir. As the names suggest, Blonde is completely un-scorched natural oak while Noir is jet-black, entirely scorched oak. They will once again be accompanied by our Yakisugi Swing Seat. Look out for Sitting Spiritually’s stand – RHW295.

1st & 2nd July 2017 – ‘Making Dorset’ Wolfeton Riding House, Wolfeton, Dorchester, DT2 9QN

wolfeton riding house‘Making Dorset’ is an exhibition of fifty of the best 3-D artists and crafts-people based in Dorset and will include the launch of a new book called ‘50 Dorset Makers’. The show is a Dorset Visual Arts initiative and is curated by Professor Simon Olding , Director of the Crafts Study Centre and Simon Barber, Editor of Evolver Magazine. ‘50 Dorset Makers’ will be available to purchase at the venue and from each of the makers taking part.

As we get closer to each event, we will update these details so keep checking back.

If you can’t make it to any of these, then you are welcome to try your luck at the Courtyard Workshop, please though, do telephone first.

New Maker; Bradley

March 22nd, 2017

BradleyWe are pleased to introduce to the newest member of our team, Bradley Rowland. Brad served his apprenticeship at another furniture making company in North Dorset but, as the boyfriend of our landlord’s daughter, he was keen to find work closer to home – well you can’t get much closer than across the farmyard!!

In fact there is very little reason for Brad to ever leave the farm, with girlfriend, job, home and hobby in one neat package! Brad is a keen motocross biker and spends much of his spare time at Rogers Hill Raceway just up the hill from the workshop. We are always relieved to see Brad in one piece on Monday morning as he is developing into a talented maker and has been a welcome addition to our team.

We are very proud of our support of emerging furniture making talent, some of whom we have introduced to you before. Click here to read about ‘New’ Mike and Tom…

Case Study – The Rickyard Public Seating

March 5th, 2017

Rickyard Cover shots

Our ‘Case Studies’ are an opportunity to take a more in depth look at projects from a design perspective…

In 2011 I embarked on a collaborative project called ‘Common Places’ with Adam Zombory-Moldovan of ZMMA Architects, to research ideas for public art in Shaftesbury, Dorset. That ended in a rather ignominious heated public debate with an ex Lord Mayor of London, a well-known television archaeologist and an array of characters who played tennis together closing ranks to ‘save’ the town from modern art. Although in the end the ‘Common Places’ project research did not lead to public artworks in Shaftesbury Town centre, the ideas did take physical form not so far away.

We had been approached by Persimmon Homes through the project sponsors, North Dorset District Council and the Dorset Design & Heritage Forum, to look simultaneously at a site on the new East Shaftesbury housing development. This major expansion of the town had been contentious as they often are in rural locations. One of the many conditions of planning permission had been to integrate public art in various open spaces within the development to give the scheme more local character and individuality.

Initially we were asked to look at The Rickyard, a small open green space in the middle of a cul-de-sack of new 3 to 4 bed houses with a footpath running through the middle from corner to corner. This was part of an existing public footpath that connected the town to a network of roads and trackways (some very old) linking to other settlements and features in the landscape. It was partly this enforced juxtaposition of the new houses and the ancient landscape we were interested in exploring, but also use of local materials and the links to Dorset myths, sacred places and sight lines. We were really playing with the idea of sense of place and time.

The Rickyard had been ‘landscaped’ in the way that new developments are planted – rather contrived; but all these developments have to start from something – and it doesnt take long for these new spaces to become imbedded as ‘place’ to the people who live there. So our job was to add some intrigue, meaning, focus and of course, somewhere to sit.

When the project included the wider remit of potential sites in Shaftesbury town centre the plan had been to make links using public art between these old and new communities, highlighting the old trackways into the market town with objects, markers and words. Now as a stand alone site these resonances are more obscure, but nevertheless The Rickyard is still hopefully a place to pause and contemplate old and new, time and place.

In the world where cars transport you from your new home to work, or the supermarket, or a day out with the kids in comfort, arriving at a place is all too easy. The Rickyard is probably best experienced as a surprise encounter on a journey by foot, from the Saxon origins of the market town’s streets, through estates of houses from the post-war building boom, though the 70s low lying bungalows, the 80s red brick, the 90’s brown window frames, then finally into the latest offering from Persimmon Homes: The new ‘mini town’ with a ‘village’ feel and its patches of open public space (at least it has them), and this one has something rather different, even ‘unusual’ in it.

Perhaps what is here has resonances with an even more ancient landscape that is all around but is not always obvious; the hill forts, burial mounds, ditches and features that are prevalent in this part of the world.

STP The Rickyard_027 copy

‘The Rickyard’ installation seen from the corners of the cul-de-sac where the public rights of way emerge into the space. The scorched oak uprights serve to mark the way across the space. Our proposals also incorporated a hard pathway through the seating but this element is yet to be completed by Persimmon Homes.

STP The Rickyard_026 copy

These public space projects take time to come to fruition. For various reasons 4 years past from the initial ideas to final installation. The completed benches remained at my workshops for 18 months before finally being transported to site in late 2015. Apart from the lack of resolution on the surface of the pathway through the seating and uprights (it’s not mean’t to be grass) The Rickyard is very much as Adam & I envisaged it in the early concepts.

This kind of work is very different to the precision high-end bespoke furniture, kitchens and interiors that we normally design and make. But my first degree was in sculpture, so in many ways this work takes me back to my artistic roots. It is also a bit of an escape from worrying about getting a 1.5mm gap around a door perfect. This is chunky, organic and a bit brutal – split, scorched, bent, twisted and heavy! You have to work with the curves and the material – the oak logs are what they are in terms of size and shape and the design of the whole installation is defined by that. We had a lot of fun making these benches, but it was technically challenging and very hard physical work at times…

3 Logs Cut copy

Logs 5 copy

Logs copy

Adam Splits 3 copy

Log2 Shaping1 copy

Uprights Scorching 2 copy

The Rickyard is maturing nicely now from the stark and barren site it started out as. The trees and shrubs have already grown significantly and the new build houses look lived in and loved. As modern developments of its type go, it looks like a nice place to live. I can imagine that when visitors come, the seating and uprights in the middle of the green come up as a topic of conversation. The residents I have spoken to really like their unusual centrepiece. It is part of their ‘landscape’ and their ‘place’ now.

STP The Rickyard_017 copy 2

Textures of natural weathered oak logs against the stark scorched uprights. The benches are tied together with a beautifully engineered and vandal-proof stainless fixings.

STP The Rickyard_019 copy

Like other public seating and artworks we have done I really enjoy going back occasionally, seeing it mature and if i’m lucky seeing a bunch of kids playing around it or a family chilling out for a moment on a walk through the development.

Part of the challenge Adam and I both enjoyed with this project was working with a major house builder. It would be fair to say they were engaged in a rather ‘arms length’ way and would probably not have chosen to put public art works on the site if it had not been a condition of planning. Indeed on the other site we worked up proposals for on the development, Mampitts Square, nothing has happened! I suspect the outcome there may be rather ordinary and ‘off the shelf’ in the end. Despite everything though, the Rickyard project got built and we helped create a new ‘common place’ for Shaftesbury where an ex Lord Mayor of London, a TV archaeologist, a couple of tennis players and I could partake in a good chinwag!

STP The Rickyard_042 copy

Children defiantly get it! It’s something interesting to climb on or play around.

STP The Rickyard_050 copy

If you’d like to talk to Simon about a public art or seating project please get in contact, initial conversations and ideas cost nothing. To view our Tudor Arcade Public Seating case study click here.

To find the Rickyard yourself and explore old and new Shaftesbury click here for the Dorset Explorer map.

Most images in this Case Study were taken by Double Exposure Photographic

Around the Workshop – Best of 2016

January 8th, 2017

I’ve been struggling to find time to write the blog recently, a reflection of just how busy 2016 has been. It has been an amazing year now I look back on it; in terms of the amount of work, the size and ambition of the projects undertaken but also just the sheer breadth of what we’ve done.

This time last year we were just finishing off work on two museum projects; one being some stools for the newly refurbished V&A Europe 1600-1815 galleries learning area, the other being furniture for the Watts Gallery in Surrey. On both of these projects we worked in close collaboration with ZMMA Architects, a dynamic London practice we have strong connections with. You can in more depth about these museum projects on the blog by clicking here.

And it’s very much that collaborative theme that continued through the year…

zmma-va-stools-copy160629-zmma-watts_gallery-00269-luke-hayes-copy

Highly challenging museum work with ZMMA Architects for the Watts Gallery (right) and the V&A Museum (left).

As the museum projects came to an end we were just gearing up for our first big project of 2016, the interior of a large contemporary CLT (cross laminated timber) built house on the North Norfolk coast called Bliss Blakeney. It’s not our normal stomping ground but the project and the clients meant it wasn’t one we wanted to miss out on, besides getting to know a new part of the world is an added bonus. We were asked to design the entrance hall and stair areas, kitchen, living / snug area, bar, library, bedrooms and dressing rooms. The first half of the year was very much focused on the Bliss project, we ended up completing the abstract stair panelling, the very funky kitchen, the snug and the library areas before drawing a line under it. The next elements are due in 2017, so hopefully this time next year there will be more images to see.

What I loved about this project is it was the clients who were pushing us for more radical design solutions, they are not scared of risk taking or bold design. That’s always a thrill for a designer when it happens and inevitably leads to new and exciting work – I see Bliss as very much a joint project between us and very creatively minded clients. Not sure what I’d pull out as a favourite piece or element of the Bliss project – the kitchen island perhaps? I also love the sideboard / media cabinet in the black sycamore wall panels of the snug, and the stair wall panels in fumed oak / pink ripple sycamore and intense blue, and the library and….

Bliss Stairs 10bliss-stairs-1bliss-kitchen-1

bliss-library-1bliss-snug1

Bliss Blakeney on the North Norfolk Coast, full of colour and creativity and came to define the first half of 2016.

We still need to get the space properly photographed, but even from our site snaps you can see this is a bit special. Despite being a long way away the site fitting was always a pleasure because we could get put up in the luxury ‘Cabin’, a four bed self contained wing of Bliss where the team could chill out after a long day’s work. The local pubs were great and so was landscape of North Norfolk coastline. It’s not often we do describe the fitting part of a project as a ‘pleasure’, but this was certainly true of the Bliss Blakeney project.

For more about Bliss and staying at the stunning Cabin yourself click here…

Cabin at Bliss

The daily breakfast meeting discussing the fitting day ahead in the ‘Cabin’ at Bliss Blakeney.

The other big news of 2016 was our collaboration with Sitting Spiritually, the garden furniture and swing seat makers from Lyme Regis. Late in 2015 they approached us to design a new contemporary swing seat for them. They had seen the work we had done on the Tudor Arcade Public Seating project and our prototype ‘Floating Benches’ with scorched and natural oak and wanted to harness that look in a new swing seat. Out of this came the ‘Yakisugi’ swing seat in 2,3 and 4 seat versions. We also licenced the Floating Bench to Sitting Spiritually and developed one and two seater versions as well as the original generous 3 seat bench. This became the ‘Simon Thomas Pirie Contemporary Range’, sold exclusively through Sitting Spiritually, but designed and made by us.

Chelsea 2016Yakisugi Floating Bench Bugg GardenChelsea SS Stand

We don’t have a high profile in the garden furniture world, but Sitting Spiritually do and they take a stand at the prestigious RHS Chelsea Flower Show every year. It’s the build up to that where the Yakisugi Swing Seat but especially the Floating Bench got huge attention – getting shortlisted for RHS Chelsea Garden Product of the Year. Images ended up in every paper and supplement imaginable. Post Chelsea it was a key feature in two RHS Gold Medal award winning gardens at Hampton Court and Tatton Park, with plenty of BBC TV coverage to boot. It’s nice seeing other garden furniture suppliers trying to play catch up – the scorched and natural oak combination was definitely the hot theme of 2016!

Floating Green

I don’t think I’ve ever designed something that has ever got quite so much attention in a short space of time. The middle of the year saw us making healthy batches of the swing seats and Floating Benches and we are already discussing what’s going to be on the RHS Chelsea Sitting Spiritually stand for 2017. Sworn to secrecy though!

A little film to celebrate the Sitting Spiritually / STP Collaboration in 2016.

For more about the Simon Thomas Pirie Contemporary Range which is sold exclusively through Sitting Spiritually visit the Sitting Spiritually website.

On the collaboration theme we continue to build relationships with interior design practices, high-end developers and architects. They come to us for our very bespoke skill set and the fact we can help them elevate their concepts into something real and exquisite. One such project was with Jigsaw Interior Architecture and AMD Developments in a new property by the river in Christchurch. This stunning contemporary build utilised a very calming neutral interior palette which is both elegant and subtle. We were asked by Jigsaw to work on the staircase liaising with the metal fabricators to produce the timber stair treads and landing elements as well as a couple of large room divide / display storage shelves. These were made in a birch ply and a black face veneer. They look simple but were much more tricky to make then they initially appear. One of these had a large siding end grain panel on industrial castors that covers half of the display space.

roman_160519_1395-low-copy

The living and dining space shelving in ply and black tulip wood at Wick Lane – Scheme by Jigsaw Interior Architecture.

There is more detail and more images of this project on the blog – click here.

We are working on other schemes with Jigsaw, as well as with other interior design and architectural practices on some very exciting varied projects for 2017/18. Three years ago we decided to pursue more of this kind of work (as well as our own generated furniture, kitchen and interior commissions) and it has certainly paid off, giving us a much longer project horizon. It means we have have stuff penciled into the schedule 18 to 36 months ahead and properly firmed up for up to 18 months. From a business perspective it just means we can plan ahead and feel secure.

If the first half of the year was shaped by the Bliss project, the second half would be equally dominated by another project with a snappy one word name: ‘ACE‘ is a new apartment block on the desirable stretch of coastline at Sandbanks, Poole. We were only involved in the Penthouse flat, which has views over Poole harbour to one side and the open ocean, with panoramic views from the Isle of Wight to Old Harry Rocks on the other. We were invited to tender for all the fitted furniture elements except the kitchen on this by Woadden Nash Interiors in conjunction with Westcoast Developments. The building was being built by Colmar Construction who we had worked with very successfully on the ‘Fire & Water’ kitchen in 2015.

sandbanks-ace

We have known the team at Woadden Nash for some time and had come close to working with them on a couple of projects before, so it was lovely to finally secure something this big. The finishes are rich and opulent throughout the scheme, with lots of use of Italian coloured Tabu veneers on the furniture as well as a very dark brown sprayed oak throughout as a constant repeating theme on the furniture and internal joinery.

ace-bar-shelves-a-copyace-bar-study-a-copyace-bar-5-copyace-headboard-a-copydressing-room-x-copyace-tv-cab-shelves-a-copy

Images of work during fitting at ACE Sandbanks, the project that has defined the second half of 2016.

We worked intensively with the Woadden Nash, Westcoast and Colmar team on developing very narrow 35mm skirtings, picture rails and decorative door linings throughout the apartment and these were the first elements to be fitted. The furniture consisted of all the wardrobes and dressing rooms in the 4 bedrooms, dressing tables, master en suite bathroom cabinetry, master bedroom furniture and panelling, shelving and TV cabinet for the living area, as well as the shelving for the night lounge / study. Last but not least is the two sided bar cabinet which stands in the centre of the room – my favourite piece on the project.

Still to get professional shots of the ACE and Bliss Interiors but i’m hoping the portfolio book and websites will be bulging with lots of exciting images and full length case studies very soon.

For all this talk of big projects and doing complete interiors we do still love making small individual pieces of furniture, it is after all at the very core of what we are as makers and designers. When you are working on projects that take months to design, months to make and almost as long to fit then snag, it’s rather refreshing to see smaller commissions designed, made and delivered in weeks. It’s important for us to get a nice mix of projects, so I’m as happy designing a small side table as I am a kitchen or library. We’ve had a few furniture pieces that have stood out this year and perhaps some images can say more than words here.

olisa-chairslast-table-3-copyvincent-cab-3-copy

Top left – ‘Perch’ chairs in elm as ruby wedding present to match existing STP table and benches. Top right – Stunning olive ash and fumed oak dining table – chairs to come! Bottom – Media sideboard in oak with scollop detail panels.

Next years projects are already beginning to take shape in the workshop. We are currently working on a beautiful study, which is the first element of a major new build near Beaulieu in the New Forest. We also have two large kitchens and interior projects lined up for the spring / summer, a classic 1920’s modernist interior in Hampstead, the next stage of the Bliss work in Norfolk, 60 Officers Mess chairs for a Guards regiment, a church alter and lots more we are in discussion about. 2017 looks like it could be even more exciting than 2016!